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SUMMARY
In the early spring of 2022, we lost Jaak Adamson (1938–2022), a painter, printmaker and sculptor whose prolonged absence…
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SUMMARY
In the late autumn of 2023, Uffizi Galleries in Florence provided yet another piece of evidence of…
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Johannes Saar reflects on Sirja-Liisa Eelma’s paintings in the exhibition “In a Room with Pink Wallpaper”.
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Johannes Saar analyses the exhibition “Still Lifes on National Motifs”.
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An essay by Johannes Saar on the Kumu exhibition “Art in the Comfort Zone? The 2000s in Estonian Art”.
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Johannes Saar remembers with affection the artists’ collective Estonian Energies (Jüri Ojaver, Jaan Paavle, Paul Rodgers and Jaan Toomik).
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Johannes Saar visited Urmas Lüüs’ solo exhibition “On the Porosity of Certain Boundaries”.
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Johannes Saar analyses the new permanent exhibition compiled for Kumu’s 15th birthday, “Landscapes of Identity: Estonian Art 1700–1945”, which approaches…
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Johannes Saar analyses Kumu’s permanent exhibition “The Future is in One Hour: Estonian Art in the 1990s”.
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Johannes Saar reminds us that every road which metaphorically leads to Rome also leads away from it.
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Johannes Saar went to Vano Allsalu’s solo exhibition “Afterburn”.
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Johannes Saar contextualises Jaanus Samma’s solo exhibition “Sweater Shop. Hair Sucks”.
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Dénes Farkas on the dark side of Alvar Aalto – Johannes Saar’s Christmas card from Rovaniemi.
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Johannes Saar views Andres Tali’s exhibition Exit (Non-Linear Narrative)
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Johannes Saar , commissioner of Estonia’s entry for the 53rd Venice Biennale, talks about the chosen project – After-War by Kristina Norman
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Johannes Saar writes about the grand anniversary show Collection: Selected Works I, which celebrated 75 years of the Tallinn Art…
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Johannes Saar speaks about Marge Monko’s exhibition Bread and Flowers in Draakoni Gallery 8.–21.03.2009