
2016 \ 4
EDITORIAL
I
II
THEORY AND PRACTICE / WHITE CUBE + BLACK BOX = “GREY ZONE”
The Effectiveness of an Experiment: Any Conclusions to Be Drawn?
Kaire Nurk analyses the results of this year’s fifth Artishok Biennale.
III
IV
THEORY AND PRACTICE / SPECULATIVE REALISM
Freeportism as Style and Ideology: Post-Internet and Speculative Realism*
Stefan Heidenreich talks about the international art market.
V
Who Is Afraid of Solomon R. Guggenheim (or how to learn to live on the shoulders of giants)?
Andreas Trossek took a trip up north.
VI
336 Hours in Riga
Francisco Martínez took a ride down south.
VII
The Artist”™s Mythology and Location
Yevgeniya Lapteva went to see Andrus Joonas’ solo exhibition “Mindsurfer vol. 4” in Klaipeda.
VIII
In Search of a Theory of Jewellery Based on the Latest Estonian Jewellery
Karin Pastak asks what’s behind a success story of Estonian Jewellery.
IX
“All is suddenly so quiet, around you and within. What”™s been has gone, what”™s coming is still ahead…”*
Maarin Mürk visited “Silence. Darkness – If we know what was, do we know what will come?” curated by Anneli Porri.
The Man Who Was Allowed to Wear Trousers That Were Too Short*
Andreas Trossek went to the solo exhibitions celebrating Jüri Arrak’s 80th birthday, “Võrse” (Seedling) at Vaal gallery and “Elukella sees” (Inside the Bell of Life) at Vabaduse Gallery.
Agu Pilt. A Memory
Linnar Priimägi visited Agu Pilt’s (1951–2002) memorial exhibition “Homohetero” dedicated to his 65th birthday.