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MELANCHOLY OF THE FUTURE

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Dancing on the ruins of the future

Annika Toots focuses on the dystopian landscapes in the works of Mari-Leen Kiipli and Britta Benno.

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RECENT HISTORY

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“Free drinks all summer long!” or how the nineties will never come back

Johannes Saar analyses Kumu’s permanent exhibition “The Future is in One Hour: Estonian Art in the 1990s”.

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Eha Komissarov: “The Estonian Art Museum has one of the finest and most comprehensive collections of 1990s art in the Baltics.”

Archive document: transcript of the radio show “Kunstiministeerium” in relation to Kumu’s permanent exhibition “The Future is in One Hour: Estonian Art in the 1990s”. The programme was presented by Maarin Mürk, with visitors Eha Komissarov, Annika Räim and Tiiu Parbus, the programme was broadcast on 29. II 2020.

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AESTHETICS

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Good company

Hedi Rosma was in good company at a retrospective of Tiit Pääsuke, “Tiit Pääsuke. Nostalgialess”.

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A glass bead game of repeating patterns

Elnara Taidre analyses the joint exhibition “Repeating Patterns” by Sirja-Liisa Eelma and Mari Kurismaa.

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POSTSOCIALISM

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The wounds of silence

Santa Hirsch analyses the exhibition “Difficult Pasts. Connected Worlds”.

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Siima – 100

Johannes Saar visited the exhibition “Siima Škop 100”.

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BODIES ON STAGE

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Silver Vahtre”™s theatrum mundi

Harry Liivrand looks at Silver Vahtre’s collage exhibition “Room of Living”.

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A gently pressed imprint

Mari-Liis Vanem visited Olesya Katchanovskaya-Münd’s solo exhibition “Traces of Existence in a Moment”.

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GEOGRAPHY

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Games with a utopian/dystopian constructor

Elnara Taidre visited Kadri Toom’s solo exhibition “Packaged Cities”.

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On the border – Valga included in Estonian art exhibition statistics

Indrek Grigor discusses regional policy on the basis of the art scene in the Estonian-Latvian border town of Valga-Valka.

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KUNST.EE SPECIAL PAGES

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