2020 \ 1
I
The forces that would have her disappear
Sanna Lipponen analyses the largest museum exposition of artworks by Estonian female artists who were active between the mid-19th century and the 1950s.
II
The world under the heel of the Estonian boot
Estonians have remoulded the classic research paradigm of post-colonialism as socialist colonialism, observes Johannes Saar on a visit to the exhibition “The Conqueror’s Eye”.
III
A vanishing point of the Tuglases’ home garden
Neeme Lopp asks one of the past decade’s most important questions in photography: can photography provide a non-political perspective?
IV
THEORY AND PRACTICE / PAINTING, SCULPTURE, FILM
Jaan Toomik: “If you want to talk about deep, serious, philosophical topics for four hours in a row, it”™ll become ridiculous.”
Andreas Trossek in a public conversation with Jaan Toomik at his solo exhibition “Selfie as a Seagull”.
V
THEORY AND PRACTICE / BLACK BOX VS WHITE CUBE
Sun in Vilnius and sea in Venice
The convergence of visual and performing arts has been an accelerating trend throughout the world in recent years, which is nice, but its reception often reveals the lack of viewer experience in one area or another, Ott Karulin notes.
VI
Half-reality in the Baltic region
Erkki Luuk attempts to decrypt Marco Laimre’s solo exhibition “A.S.T.A. 1.0 / Black Flag Shadow”.
VII
Walking through space
Hirohisa Koike analyses Paul Kuimet’s solo project “Five Volumes”.
VIII
Misery of words
Heili Sepp writes about three exhibitions by Siim-Tanel Annus, celebrating the artist’s 60th birthday.
IX
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XI
Marten Esko: “We will take both organisational and financial responsibility so that EKKM can continue.”
Andreas Trossek asked Marten Esko, director of the Contemporary Art Museum of Estonia (EKKM), four questions.