2019 \ 2
I
The queue
Indrek Grigor’s report from the press preview of the 58th International Art Exhibition, la Biennale di Venezia.
II
PR-Sunday, or the structural transformation of the public sphere through the spirit of white bread from Maxima
Janar Ala versus Tommy Cash and Rick Owens and their joint exhibition “The Pure and the Damned”.
III
Art as a dialogue and way of thinking
Elnara Taidre had a conversation with Liina Siib about her work.
IV
New materialism – under diagnosis
Based on the theory of new materialism, Kaire Nurk analyses the shifts, turns and changes taking place in the Estonian art scene.
V
If there was no menstrual blood
Kaire Nurk analyses Ede Raadik’s solo exhibition “Sailin’ on the Red Sea” from a feminist perspective.
Naked nineties
Hedi Rosma wrote down some thoughts voiced at the roundtable discussion that took place at the finissage of “The X-Files [Registry of the Nineties]” titled “Masculinity and its changing image in the local field of art and culture since the 1990s”.
David Wojnarowicz”™s topical message for today”™s world
Kärt Kelder visited the exhibition of David Wojnarowicz’s (1954–1992) photography and film work in Berlin.
VI
The micro-dramas of everyday spaces in the photographs of Eve Kiiler
Carl-Dag Lige visited Eve Kiiler’s photography exhibition “Old and New Neighbours”.
VII
The (in)discreet charm of post-Soviet chic
Stefan Žarič reviews the exhibition “Sots Art and Fashion: Conceptual Clothes from Eastern Europe”.
Machines and toys
Mari-Liis Rebane writes about the sound art exhibition “Sound Machines”.
Work hard but no one cares
Ott Karulin reviews Sigrid Viir’s largest solo show in Estonia to date from the perspective of a theatre enthusiast.