2016 \ 4

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EDITORIAL

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A Period of Breathing In

Heie Treier sets a question mark over the return of formalism.

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THEORY AND PRACTICE / WHITE CUBE + BLACK BOX = “GREY ZONE”

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The Effectiveness of an Experiment: Any Conclusions to Be Drawn?

Kaire Nurk analyses the results of this year’s fifth Artishok Biennale.

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III

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Visual Scanning of the World

Marge Monko interviews Katja Novitskova.

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THEORY AND PRACTICE / SPECULATIVE REALISM

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Freeportism as Style and Ideology: Post-Internet and Speculative Realism*

Stefan Heidenreich talks about the international art market.

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336 Hours in Riga

Francisco Martínez took a ride down south.

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VII

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The Artist”™s Mythology and Location

Yevgeniya Lapteva went to see Andrus Joonas’ solo exhibition “Mindsurfer vol. 4” in Klaipeda.

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In Search of a Theory of Jewellery Based on the Latest Estonian Jewellery

Karin Pastak asks what’s behind a success story of Estonian Jewellery.

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“All is suddenly so quiet, around you and within. What”™s been has gone, what”™s coming is still ahead…”*

Maarin Mürk visited “Silence. Darkness – If we know what was, do we know what will come?” curated by Anneli Porri.

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The Man Who Was Allowed to Wear Trousers That Were Too Short*

Andreas Trossek went to the solo exhibitions celebrating Jüri Arrak’s 80th birthday, “Võrse” (Seedling) at Vaal gallery and “Elukella sees” (Inside the Bell of Life) at Vabaduse Gallery.

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Silence”™s Sonata to Dirt

Erle Loonurm visited Jass Kaselaan’s solo exhibition “Still Life”.

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Agu Pilt. A Memory

Linnar Priimägi visited Agu Pilt’s (1951–2002) memorial exhibition “Homohetero” dedicated to his 65th birthday.

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