2014 \ 4

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EDITORIAL

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FOCUS / EAA 100

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Signe Kivi: “No leader can get anything done alone.”

The only Estonian public university providing higher education in architecture, design, art and art theory celebrated its 100th anniversary on October 30 – Solveig Jahnke interviewed its Rector Signe Kivi.

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THEORY AND PRACTICE / PAINTING / TALLINN

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Painting Allowed! 2014 A. D.

Jaan Elken introduces the brightest stars of this year’s painting shows.

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THEORY AND PRACTICE / PAINTING / IDA-VIRUMAA

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Tõnis Saadoja: “I was sure I wanted to create large paintings, colourful ones, and that the works would have an emotional component.”*

Maarin Mürk interviews Tõnis Saadoja, whose solo exhibition “Architectural Photography With a Small Boy – Oil Paintings On Canvas” was on show in the Historicist villa of John Carr, former director of the Kreenholm Factory.

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THEORY AND PRACTICE / PAINTING / NON-PLACE

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Architectural Photography with a Little Boy

Ingrid Ruudi looks at Tõnis Saadoja’s solo exhibition in Narva as a gesture that abstains from memory and nostalgia.

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THEORY AND PRACTICE / MEMORY / TALLINN ART HALL 80

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Tallinn Art Hall 80. The Different Space-Time Realities of the Anniversary*

Johannes Saar visited the exhibition “Tallinn Art Hall 80. Art Collection: Selection II” and read the book “Tallinn Art Hall 1934–1940”.

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THEORY AND PRACTICE / CHRONICLE OF LIVONIA / AB14

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Long Live New Livonia!

IV Artishok Biennale “A+B=AB14” is barely finished in Riga as Liisa Kaljula forces its exhausted curators Šelda Pukite and Indrek Grigor to look back on the whole process.

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THEORY AND PRACTICE / CHRONICLE OF LIVONIA / RIGA 2014

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Dubious Friendships*

Ulrike Gerhardt on the “(Re)construction of Friendship” exhibition in Riga.

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THEORY AND PRACTICE / CHRONICLE OF LIVONIA / POSTMODERNISM

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The Story of a Painting

At the request of KUNST.EE Peeter Talvistu reveals the story behind a painting that caused many art-political interpretations along the Tallinn–Tartu axis this year.

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THEORY AND PRACTICE / FEATURE FILM

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A Patchwork Quilt with Many Moons

Hanno Soans analyses the debut feature film “Landscape with Many Moons” by one of the most well known Estonian painters and video artists Jaan Toomik.

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Pure Intervention

Piret Karro analyses “Rõivad ja rühid” (Attires and Attitudes), a solo exhibition by Finnish artist Pilvi Takala.

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The Question of Art and Design

Anne Vetik analyses the solo exhibition “Longing For Sleep” by Marit Ilison, the 2014 winner of the Kristjan Raud prize.

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Rumoured Sight in the Dark

Roomet Jakapi went to Raul Keller’s exhibition “What You Hear Is What You Get (Mostly)” and saw himself.

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Almost Legal

Johannes Saar contextualises Jaanus Samma’s solo exhibition “Sweater Shop. Hair Sucks”.

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BONUS!

“STRUCTURE/METAPHYSICS” 25 SPECIAL PAGES

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Lessons of “Structure/Metaphysics”

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Document: an excerpt from a lecture presented at “Structure/Metaphysics” in Helsinki (“Is history repeating itself? Estonian art exhibitions in Helsinki in 1929 and 1989”)

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Document: an excerpt from the presentation “Beginning of a Modern Way” published in the “Structure/Metaphysics” catalogue in 1989

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Document: an extract from an essay “Estonian art from 1987 to the present” from the compilation “Art of the Baltics: The Struggle for Freedom of Artistic Expression Under the Soviets, 1945–1991” (Rutgers University Press, 2001)

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Selectivity of the memory: “Structure/Metaphysics” 25

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Selectivity of the memory: “Structure/Metaphysics” 25

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Outroduction: “Structure/Metaphysics” 25

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