2013 \ 4

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FOCUS / VOX POPULI / OCCIDUUS

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Popularizing Art. The Abramovič Method

Hedi Rosma analyses the foundation of the Marina Abramovič Institute in the context of popularizing art.

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FOCUS / VOX POPULI / ORIENS

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Hedwig Fijen: “The Hermitage’s view is that Catherine the Great in her time collected contemporary art”

Andreas Trossek interviews Hedwig Fijen, founding director of “Manifesta”.

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THEORY AND PRACTICE / (EURO) MODERNISM

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The Perpetuum Mobile of European Enlightenment

Liisa Kaljula visited the 30th Council of Europe Art Exhibition “Critique and Crisis. Art in Europe since 1945”.

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THEORY AND PRACTICE / (SOVIET) MODERNISM

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What we are not!

Maija Rudovska is revisiting the Socialist past.

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THEORY AND PRACTICE / CRISIS AND REVOLUTION

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Grammar of the Revolution

Šelda Puč·îte ponders the contemporary art festival “Survival Kit 5: Slow Revolution”.

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VI

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It’s Good When There’s Space

Jaak Kikas writes about the curator’s exhibition for Photomonth, “Where You End, I Begin”.

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VII

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According to an Office Desk – An Introduction to The Office for Curating

Rebeka Põldsam interviews Niekolaas Johannes Lekkerkerk – curator of the “Shadows of Doubt” group exhibition and central show in Tallinn Photo Month 2013.

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VIII

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How ANK ’64 Was Formed

In connection with the ANK retrospective exhibition, Al Paldrok interviews Tõnis Laanemaa, the grand old man of Estonian graphic art.

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IX

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Discreet “Damage” – Political is Personal!

Hanno Soans writes about Mark Raidpere’s solo exhibition “Damage”.

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Manfred MIM: Technology as the Black Continent

Janar Ala visited Manfred MIM’s survey exhibition at Tallinn Art Hall.

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A Whole Day in Tartu

A panel discussion by the group of critics, Das Kollektive Unbewusste aus Reval (KUR), on this year’s curated show, “Prada Pravda”, at the “ART IST KUKU NU UT” festival of contemporary art in Tartu.

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The Explicit vs The Implicit

Eik Hermann identifies himself with the work of self-styled lesbian artist Anna-Stina Treumund.

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How to Enter Through an Invisible Door

Andrus Laansalu focuses on the first large survey exhibition of sound art in Estonia, “Out of Sync. Looking Back at the History of Sound Art”.

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ANK ’64/’13

Andreas Trossek wrote down his thoughts on retrospective of ANK ’64 artists at Tallinn Art Hall.

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Traces of the Invisible Work or Who Washes Our Socks?

Karin Nugis about the exhibition “Aagh! Õehh!”.

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