2011 \ 3-4
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I
Notes On Transition
Aliina Astrova’s essay on transition society
Martin Creed: “˜I don’t call my works art but work.”™
Maria Arusoo, who made her curatorial debut with aplomb at Tallinn Art Hall, interviews Martin Creed in whose London atelier-studio she worked in 2007–2009
Comment: The Revival of Space 2.0?
Andreas Trossek asks George Steinmann why and how The Revival of Space took place at Tallinn Art Hall in 1992–1995
II
In Search of Matter and the Origin of Art Problems
A report by Raivo Kelomees about the 14th Festival Ars Electronica 2011: Origin – How It All Begins, dedicated to issues in art, technology and society
The Aesthetics of Videogames
Ave Randviir-Vellamo makes an introductory foray into a new field of aesthetics
Voina – it is war against corrupt power
Teet Veispak interviews Russian artists disgraced by the powers
Marina Abramovič”™s body centred art practices of the 1970s
Triin Tulgiste surveys the early period of Marina Abramovič’s work
Non Grata”™s Diverse Universe EU Performance Tour
Al Paldrok reports from the front: Diverse Universe Performance Festival 2011
Culture as practice against the neo-capitalist ideology
Margaret Tali’s critical essay about the culture cuts of the government of the Netherlands
Monochromatic exposure
Kaire Nurk analyses Jaan Toomik’s short film Oleg against the background of his paintings
Time ennobles everything
Kristiina Davidjants discusses Kristina Norman’s documentary A Monument to Please Everyone
The new building of the Estonian Academy of Arts – the saga continues
Ave Randviir-Vellamo’s report anno 2011
III
Interpretation is endless
Liisa Kaljula talks about the exhibition Urmas Ploomipuu’s White House curated by Tõnis Saadoja.
Alone in the City
Martin Rünk looks at the exhibition of paintings by Jüri Palm and Ludmilla Siim
Andrei Tarkovski about the significance of Polaroid photos in light of Giorgio
Ragne Nukk analyses the photographic art of Andrei Tarkovski shown in Estonia for the first time at Temnikova & Kasela gallery
“˜Suddenly a moment leaps up from the past and captures the mind”™
Vappu Thurlow shares her impressions of the exhibition Leaps, leapt, had leapt by Maria-Kristiina Ulas
Image, memory and fiction in the Baltics
Eve Kiiler writes about the works of the younger generation of photo artists from the Baltic States